We imagine landscapes and buildings which slightly confound, solemnly stand up to us, hold our attention and with intention create lasting value over a multitude of generations – both in an intellectual and in an extremely direct, basic, emotional sense. We believe this can be achieved through listening, and then a conscious balancing of at-first-glance apparent contradictions and jarring harmonies, levels of incompleteness, or overlapping fragments of not-so-obvious (even questionable) coherence – finally resulting in places of endearing, novel and meaningful relationships.

… We need something to symbolise our lives. In a world in which everything has turned into interchangeable parts, a person wants to cry out, 'Yes, here I am!', and so proclaim that we live in the space between life and death. (Yoshizaka Takamasa, 1967)